To present his first ever collection of furniture and lighting, Charles chose the welcoming context of the 18th century Guise mansion at 72 rue de l’Université. In an atmosphere between a Hammershoi painting and a Proust text where time seems to be suspended, the landscape paintings by the young half-French, half-Israeli painter Nathanaëlle Herbelin, celebrate the banal atmosphere of intimate spaces and underline the beauty of objects. Her work communicates perfectly with the reality of Charles Zana Mobilier.